lizzo on being krista tippett
Return like a word, long forgotten and maligned. Then three years later, Tippett left American Public Media to create her own production company, Krista Tippett Public Productions, which has aligned with WNYC/New York Public Radio to distribute the show to affiliates nationwide. Limn: Yeah. This is not a problem. I think I trusted its unknowing and its mystery in a way that I distrusted maybe other forms of writing up until then. I am too used to nostalgia now, a sweet escape. And were at a new place, but we have to carry and process that. And that between space was the only space that really made sense to me. And so I gave up on it. Limn: I remember having this experience I was sort of very deeply alone during the early days of the pandemic when my husbands work brought him to another state. He works with wood, and he works with other people who work with their hands making beautiful, useful things. Limn: I do think I enjoy it. All came, and still comes, from the natural world. And thought, How am I right now at this moment? Okay. On Being with Krista Tippett. But each of us has callings, not merely to be professionals, but to be friends, neighbors, colleagues, family, citizens, lovers of the world. rough wind, chicken legs, Amidst all of the perspectives and arguments around our ecological future, this much is true: we are not in the natural world we are part of it. So I want to do two more, also from The Carrying. and what I do not say is: I trust the world to come back. Music: Seven League Boots by Zo Keating. Page 87. on all sides with want. [laughter] Where some of you were like, Eww, as soon as I said it. And I think for all of us, kind of mark this, which is important. But its about more than that. And he had a little cage, I would make sure he was And he would get bundled up and carried from house to house. All of this, as Dacher sees it now, led him deeper and deeper into investigating the primary experience of awe in human life moments when we have a sense of wonder, an experience of mystery, that transcends our understanding. And coming in future weeks, is a conversation with a technologist and artist named James Bridle, whose point is that language itself, the sounds we made and the words we finally formed, and the imagery and the metaphors were all primally, organically rooted in the natural world of which we were part. And the Q has the tail of a monkey, and weve forgotten this. And I think it was that. But I think the biggest thing for me is to begin with silence. I write the year, seems like a year you Krista Tippett is Peabody Award-winning broadcaster and New York Times best-selling author. With an unexpected and exuberant mix of gravity and laughter laughter of delight, and of blessed relief this conversation holds not only what we have traversed these last years, but how we live forward. And: advance invitations and news on all things On Being, of course. This is a gift. And that reframing was really important to me. Krista Tippett. We want to meet what is hard and hurting. Yeah, I was convinced. Black bark, slick yellow leaves, a kind of stillness that feels And so, its so hard to speak of, to honor, to mark in this culture. And then I would say in terms of the sacred, it was always the natural world. Its repeating words. We keep forgetting about Antlia, Centaurus, But mostly were forgetting were dead stars too, my mouth is full, of dust and I wish to reclaim the rising, to lean in the spotlight of streetlight with you, toward. Supporting organizations and initiatives that uphold a sacred relationship with life on Earth. s wisdom and her poetry a refreshing, full-body experience of how this way with words and sound and silence teaches us about being human at all times, but especially now. And this particular poem was written after the 2017 fires in my home valley of Sonoma. The Fetzer Institute, supporting a movement of organizations applying spiritual solutions to societys toughest problems. Just the title of this, I feel is such an invitation and not the kind of invitation that was being made. We get curious, we interrogate, and we ask over and over again. But its also a land that is really incredibly beautiful and special and sacred in a lot of different ways. Yeah. What is the thesis word or the wind? Bottlebrush trees attract But I think theres so much in this poem thats about that idea that the thesis thats returned to the river. I almost think that this poem could be used as a meditation. if we launched our demands into the sky, made ourselves so big In a political and cultural space that rewards certainty, ferments argument, and hastens closure, we nourish and resource the interplay between inner life, outer life, and life together. With an unexpected and exuberant mix of gravity and laughter laughter of delight, and of blessed relief this conversation holds not only what we have traversed these last years, but how we live forward. So its actually about fostering yourself in the sun, in the right place, creating the right habitat. So I think there was a lot of, not only was it music, but then it was music in Spanish. I really love . Lean Spirituality. What were talking about and not when we talk about mental health. and you forget how to breathe. And: advance invitations and news on all things On Being, of course, Enough of us across all of our differences see that we have a world to remake. I will trust the world and I will feel at peace. And this time, what came to me as I stood and looked at the trees was that Oh, it isnt just me looking. Seems like a good place for a close-eyed And I think there was a part of me that felt like so much of what I had read up until then was meant to instruct or was meant to offer wisdom. Limn: Yeah. My mother says, Oh yeah, you say that now.. Oh, Im stressed. Oh, if you want to know about stress, let me tell you, Im stressed., I like to tell my friends when they say theyre really stressed, Ill be like, Oh, I took the most wonderful nap. I mean, even that question you asked, What am I supposed to do with all that silence? Thats one way to talk about the challenge of being human and walking through a life. But something I started thinking, with this frame, really, this sense of homecoming and our belonging in the natural world runs all the way through every single one of your poems. And it was just me, the dog, and the cat, and the trees. But I want you to read it second, because what I found in. And thats also not the religious association with Sunday, right? And so, its so hard to speak of, to honor, to mark in this culture. People will ask me a lot about my process and it is, like I said, silence. I have, before, been, tricked into believing the world walking in, ready to be ravaged, open for business. Right. Yes I am. But I trust those moments. Yeah, there wasnt a religious practice. What would happen if we used our bodies to bargain. brought to its knees, clung to by someone who Limn: Oh, thank you. and then, But I think you are a prodigy for growing older and wiser. It makes room for all of these things that can also be It holds all the truths at once too. The Pause is our Saturday morning ritual of a newsletter. Tippett: So I love it when I feel like the conversations Im having start to be in conversation with each other. I think coming back to this idea that poetry is as embodied as it is linguistic. Alice Parker Singing Is the Most Companionable of Arts. I am human, enough I am alone and I am desperate, enough of the animal saving me, enough of the high. could save the hireling and the slave? I think I enjoy getting older. What. Page 87. that thered be nothing left in you, like, until every part of it is run through with, days a little hazy with fever and waiting, for the water to stop shivering out of the. We read for sense. Yeah. Okay, Im going to give you some choices. God, which I dont think were going to get to talk about today. [laughs] And its a very interesting thing to be a kid that goes back and forth, and Im sure many people have this experience or have had that experience, where youre moving from one home to another. Find more of her poems, along with our full collection of poetry films and readings from two decades of the show, at Experience Poetry. With an unexpected and exuberant mix of gravity and laughter laughter of delight, and of blessed relief this conversation holds not only what we have traversed these last years, but how we live forward. Who am I to live? Right? We speak the language of questions. We have never been exiled. And then a trauma of the pandemic was that our breathing became a danger to strangers and beloveds. [2] Her guests include the 14th Dalai Lama, Maya Angelou, Mohammed Fairouz, Desmond Tutu, Thich Nhat Hanh, Rosanne Cash, Wangari Maathai, Yo-Yo Ma, Paulo Coehlo . But in reality its home to so many different kind of wildlife. Wisdom Practices and Digital Retreats (Coming in 2023). The Pause is our Saturday morning ritual of a newsletter. We practice moral imagination; we embrace paradoxical curiosity; we sit with conflict and complexity; we create openings instead of seeking answers or providing reductive simplicity. And so its giving room to have those failures be a breaking open and for someone else to stand in it and bring whatever they want to it. Transcription by Alletta Cooper Krista Tippett: I really believe that poetry is something we humans need almost as much as we need water and air. So you get to have this experience with language that feels somewhat disjointed, and in that way almost feels like, Oh, this makes more sense as the language for our human experience than, lets say, a news report.. It is still the river. So would you read, its called Before, page 46. Jen Bailey, and so many of you. . Limn: Yeah. Before the road Its still the elements. A student of change and of how groups change together. Now, somethings, breaking always on the skyline, falling over Copyright 2023, And if youd like to know more, we suggest you start with our. Thank you all for coming. to the field, something to get through before And I knew that at 15. I think thats very true. So its a very special place. In generational time, they are stitching relationship across rupture. A dream. And its funny to tell people that youre raised an atheist because theyre like, Really? But I was. Between. Adventures into what can replenish and orient us in this wild ride of a time to be alive: biomimicry and the science of awe; spiritual contrarianism and social creativity; pause and poetry and . And it wasnt until really, when I was writing that poem that the word came to me. They bring us together with others, again and again. What happens after we die? And she says, Well, you die, and you get to be part of the Earth, and you get to be part of what happens next. And it was just a very sort of matter-of-fact way of looking at the world. hoping our team wins. And its funny to tell people that youre raised an atheist because theyre like, Really? But I was. Theres how I stand in the lawn, thats one way. My body is for me. [audience laughter] And it really struck me that how much I was like, How do I move through this world? Remembering what it is to be a body, I think to be a woman who moves through the world with a body, who gets commented on the body. But its also a land that is really incredibly beautiful and special and sacred in a lot of different ways. The On Being Project Its Spanish and English, and Im trying, and Ill look at him and be like, How much degrees is it?, And hes like, Are you trying to ask me what the weather is?. So I love it when I feel like the conversations Im having start to be in conversation with each other. And poetry doesnt really allow you to do that because its working in the smallest units of sound and syllable and clause and line break and then the sentence. Tippett: Were back at the natural world of metaphors and belonging. maybe dove, maybe dunno to be honest, too embryonic, too see-through and wee. Limn: I remember writing this poem because I really love the word lover, and its a kind of polarizing word. Her volume The Carrying won the National Book Critics Circle Award for Poetry, and her volume Bright Dead Things was a finalist for the National Book Award. With. It suddenly just falls apart, and I feel like there are moments that I travel a lot in South America, with my husband, and by the end of the second week, my brain has gone. Youre never like, Oh, Im just done grieving. I mean, you can pretend you are, right, but we arent. Interesting. Before the ceramics in the garbage. Limn: I think the failure of language is what really draws me to poetry in general. I would say about 50 percent, maybe 60 percent of it was written during the pandemic. I mean, isnt this therapeutic also for us all to laugh about this now, also to know that we can laugh about it now? And also that phrase, as Ive aged. You say that a lot and I would like to tell you that you have a lot more aging to do. There is also an ordinary and abundant unfolding of dignity and care and generosity, of social creativity and evolution and breakthrough. Tippett: To be made whole/ by being not a witness,/ but witnessed. Can you say a little bit about that? two brains now. In fact, Krista interviewed the wise and wonderful . So well just be on an adventure together. I think there were these moments that that quietness, that aloneness, that solitude, that as hard as they were, I think hopefully weve learned some lessons from that. Shes written six books of poetry, most recently, won the National Book Critics Circle Award for Poetry, and her volume, . Alice Parker is a wise and joyful thinker and writer on this truth, and has been a hero in the universe of choral music as a composer . the truth is every song of this country All came, and still comes, from the natural world. People will ask me a lot about my process and it is, like I said, silence. So we have to do this another time. Yeah. Foundations 4: Calling and Wholeness On Being with Krista Tippett Society & Culture In the modern western world, vocation was equated with work. Yeah. And that is so much more present with us all the time. The podcast's foundation is the same as the groundbreaking radio concept. Limn: Exactly. Look, we are not unspectacular things. Adventures into what can replenish and orient us in this wild ride of a time to be alive: biomimicry and the science of awe; spiritual contrarianism and social creativity; pause and poetry and more towards stretching into this world ahead with dignity . Jen Bailey, and so many of you. Between the ground and the feast is where I live now. That really spoke to me, on my sofa. I think that there is a lot about trying to figure out who we are with ourselves. Copyright 2023. I do think I enjoy it. Tippett: And we were given to remember that civilization is built on something so tender as bodies breathing in proximity to other bodies. In between my tasks, I find a dead fledgling, And if you cant have hope, I think we need a little awe, or a little wonder, or at least a little curiosity. I could. But I also feel a little bit out of practice with this live event thing. Once it has been witnessed , and she teaches in the MFA program at Queens University of Charlotte, in North Carolina. And that was in shorter supply than one would think. The poets brain is always like that, but theres a little I was just doing the wash, and I was like, Casual, warm, and normal. And I was like, Ooh, I could really go for that.. Krista Tippett, Becoming Wise: An Inquiry into the Mystery and Art of Living. And I want you to read it. During her 20-plus years as host of public radio's "On Being" show which aired on some 400 stations across the country Krista Tippett and her beautifully varied slate of guests . It feels important to me, right now, because I want to talk to you about this a little bit, what weve been through. two brains now. Kind of true. But in the present era of tribalism, it feels like weve reached our collective limitations Again and again, we have escalated the conflict and snuffed the complexity out of the conversation.. I mean, thats how we read. And it often falls apart from me. are your bones, and your bones are my bones. The next-generation marine biologist Ayana Elizabeth Johnson would let that reality of belonging show us the way forward. This is a moving and edifying conversation that is also, not surprisingly, a lot of fun. And I want you to read it. And this poem was basically a list of all the poems I didnt think I could write, because it was the early days of the pandemic, and I kept thinking, just that poetry had kind of given up on me, I guess. sometimes buried without even a song. But I love it. 1. 4.07 avg rating 5,187 ratings published 2016 20 editions. And it was an incredible treat to interview her before 1,000 people, packed together in a concert hall on a cold Minnesota night. creeks, two highways, two stepparents fact-like take the trowel, plant the limp body What was it? But you said I dont know, I just happened to be I saw you again today. not forgetting and star bodies and frozen birds, We are in the final weeks as On Being evolves to its next chapter in a world that is evolving, each of us changed in myriad ways we've only begun to process and fathom. Interesting. Here it is again as an offering for Mothers Day in a world still and again in flux, and where the matter of raising new human beings feels as complicated as ever before. She hosted On Being on the radio for about two decades. Just uncertainty is so hard on our bodies. Kalliopeia Foundation. And then to do it on top of really global grief, that is a very kind of different work because then you think, Well, who am I to look at this flower? Just uncertainty is so hard on our bodies. So my interest, when I get into conversation with a poet, is not to talk, poetry, but to delve into what this way with words and sound and silence teaches us. It sends us back to work with the raw materials of our lives, understanding that these are always the materials even of change at a cosmic or a societal level. Its almost romantic as we adjust the waxy blue Limn: And then you go, Oh no, no, thats just recycling. So thats in the poem. like sustenance, a song where the notes are sung And then thats also the space for us to sort of walk in as a reader being like, Whats happening here? Learn more at kalliopeia.org. You said a minute ago that the poetry has breath built into it, and you said also that, you have said: its meant to make us breathe. But its true. I was so fascinated when I read the earlier poem. no one has been writing the year lately. the trash, the rolling containers a song of suburban thunder. We want to orient towards that possibility. Limn: Right. As . I'm not often one for Schadenfreude, but I may have felt it a bit yesterday, when friend told me that they'd heard NPR announce that Krista Tippett 's "On Being" Show, which I've railed against for years, is finally ending its two-decade stint on NPR. I love it that youre already thinking that. Because there are a lot of unhelpful things that have been told to me. Tippett: I think grief is something that is very We have so much to grieve even as we have so much to walk towards. And I remember sitting on my sofa where I spent an inordinate amount of time, and reading it. I cannot reverse it, the record, chaotic track. She is a former host of the poetry podcast. I could. But I think the biggest thing for me is to begin with silence. Its repeating words. And there are times where I think people have said as a child, Oh, you come from a broken home. And I remember thinking, Its not broken, its just bigger. This means that I am in a reciprocal relationship with the natural world, not that it is my job to be the poet that goes and says, Tree, I will describe it to you.. No, question marks. Our lovely theme music is provided and composed by Zo Keating. Becoming whole, she teaches, is not about eradicating our wounds and weaknesses; rather, the way we deal with losses, large and small, shapes our capacity to be present to all of our experiences. Theres how I dont answer the phone, and how I sometimes like to lie down on the floor in the kitchen and pretend Im not home when people knock. I wrote it and then I immediately sent it to an editor whos a friend of mine and said, I dont know if you want this. And it was up the next day on the website. I dont know why this, but this. And I remember reading it was Elizabeth Bishops. You may also catch references to things seen and witnessed throughout the event including a stunning opening poem by our dear friend Maria Popova, composed of On Being show titles which you can take in fully by viewing the recorded celebration in its entirety on our YouTube channel. On Being, which began on public radio, has been named a best podcast by The New York Times, The Wall Street Journal, The Guardian, the Webbys, iHeart Radio with more than 400 million downloads. It touches almost every aspect of human life in almost every society around the world right now. Yeah. And I wonder if you think about your teenage self, who fell in love with poetry. As we turn the corner from pandemic, although we will not completely turn the corner, I just wanted to read something you wrote on Twitter, which was hilarious. The conversation of this hour always rises as an early experience that imprinted everything that came after at On Being. And there was an ease, I think, that living in the head-only world was kind of a poets dream on some level. All year, Ive said, You know whats funny? It feels important to me, right now, because I want to talk to you about this a little bit, what weve been through. But instead to really have this moment of, Oh, no, its our work together to see one another. is so bright and determined like a flame, Limn: Yes. All right. Tippett: Would you read this poem, The End of Poetry, which I feel speaks to that a bit. And for a long time Sundays kind of unsettled me, even as an adult. Tippett: Something that you reflect on a lot that I would love to just draw you out on a bit is I think people who love language the most, and work with language, also are most intensely aware of the limits of language, and thats partly why youre working so hard. In the modern western world, vocation was equated with work. Our closing music was composed by Gautam Srikishan. Tippett: It also says something about this time. And one of them this is also on. Adventures into what can replenish and orient us in this wild ride of a time to be alive: biomimicry and the science of awe; spiritual contrarianism and social creativity; pause and poetry and more towards stretching into this world ahead with dignity, wisdom and joy. And: advance invitations and news on all things On Being, of course. Limn: Yeah. Before the apple tree. God, which I dont think were going to get to talk about today. Tippett: this is how vitality looks like. into anothers green skin, abundance? So in The Carrying, there are these two poems on facing pages, that both have fire in the title. Krista interviewed her in 2015, and it quickly became a much-loved show as her voice was just rising in common life. Find them at, Dedicated to reconnecting ecology, culture, and spirituality. Tacos. Because you did write a great essay called Taco Truck Saved my Marriage.. I could be both an I Is it okay? The danger of all poets and I think artists in general, is it some moment we think we dont deserve to do this work because what does it do? And that feels like its an active thing as opposed to a finished thing, a closed thing. Thats really hard. We point out the stars that make Orion as we take out Limn: Yeah. Her six books of poetry include, most recently, The Hurting Kind. I also think aging is underrated. nest rigged high in the maple. Limn: I love it. when it flickers, when it folds up so perfectly days a little hazy with fever and waiting Limn: That you can be joyful and you can actually be really having a wonderful time. by the crane. And now Ill just say it again: they are the publisher of the 24th Poet Laureate of the United States. This is a gift. And that reframing was really important to me. And when you say I know one shouldnt take poems apart like this, but The thesis is the river. What does that mean? Her presence on that stage was electric. At a special TEDPrize@UN, journalist Krista Tippett deconstructs the meaning of compassion through several moving stories, and proposes a new, more attainable definition for the word. The wonder of biomimicry. a certain light does a certain thing, enough If you think about it, its not a good I love that you do this. A special offering from Krista Tippett and all of us at On Being: an incredible, celebratory event listening back and remembering forwards across 20 years of this show in the good company of our beloved friend and former guest, Rev. I have decided that Im here in this world to be moved by love and [to] let myself be moved by beauty. Which is such a wonderful mission statement. scratched and stopped to the original To be swallowed Centuries of pleasure before us and after I mean, I do right now. but witnessed. Exit Because I couldnt decide which ones I wanted you to read. Limn: And hes like, Are you trying to ask me what the weather is? [laughter] Im like, Yes. But I do think youre a bit of a So the thing is, we have this phrase, old and wise. But the truth is that a lot of people just grow old, it doesnt necessarily come with it. we never sing, the third that mentions no refuge The On Being Project is located on Dakota land. on the back of my dads Groundbreaking Peabody Award-winning conversation about the big questions of meaning, hosted by Krista Tippett. Yeah. All right. And then what happened was the list that was in my head of poems I wasnt going to write became this poem. [laughter]. Theres whole books about how to breathe. You said there in a place, as Ive aged, I have more time for tenderness, for the poems that are so earnest they melt your spine a little. and the one that is so relieved to finally be home. No, really I was. So the poem you wrote, Joint Custody. You get asked to read it. Replenishment and invigoration in your inbox. Tippett: And when you say I know one shouldnt take poems apart like this, but The thesis is the river. What does that mean? Definitely. Few books have been more eagerly passed from hand to hand with delight in these last years than Robin Wall Kimmerers Braiding Sweetgrass. So my interest, when I get into conversation with a poet, is not to talk about poetry, but to delve into what this way with words and sound and silence teaches us about being fully human this adventure were all on that is by turns treacherous and heartbreaking and revelatory and wondrous. And so I have Krista Tippett (ne Weedman; born November 9, 1960) is an American journalist, author, and entrepreneur. I feel like theres so many elements to that discovery. has lost everything, when its not a weapon, Two entirely different brains. I will say this poem began I was telling you how poems begin and sometimes with sounds, sometimes with images This was a sound of, you know when everyone rolls out their recycling at the same time. Limn: Yeah, I had a moment where I hadnt realized how delighted I was to go about my world without my body. So it felt right to listen again to one of our most beloved shows of this post-2020 world. what a word, what a world, this gray waiting. Back of my dads groundbreaking Peabody Award-winning conversation about the big questions of meaning hosted! All year, seems like a word, what am I right now in North.. Many different kind of wildlife the natural world the lawn, thats one way to talk about health... I also feel a little bit out of practice with this live thing. This moment after the 2017 fires in my head of poems I wasnt to... Child, Oh no, its so hard to speak of, Oh no thats!, creating the right place, creating the right place, creating the right place, but the thesis the... 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