garden of eden tracy k smith analysis
Teaching is inspiring for me. Her poems pose fundamental questionsabout love, time, mortality, and faith (Is It us, or what contains us? she asks in Life on Mars)and pursue them with imagination, rigor, a bold comfort with uncertainty, and an unswerving commitment to candor and humaneness. I sensed my work as one of curating rather than composing. And in this awful year, thats something worth giving thanks for. Tracy K. Smith: I hear those two things, but in the reverse order. She earned a BA from Harvard University and an MFA in creative writing from Columbia University. The story of that poem is that it woke me up one night. I see The United States Welcomes You as another poem fixated upon this topic, though perhaps more obliquely; it seems to be voiced by someone whose aim is not compassionate, though there is space at the end of the poem where what I read as fear or hesitation enters in with the line What if we / Fail? WASHINGTON SQUARE: Was it especially difficult, then, to inhabit the persona in The United States Welcomes You? That process involves weekly meetings where we are looking at and critiquing new poems, but also trying to listen to the themes and questions driving the work. In a technique that feels like the opposite of erasure, I Will Tell You the Truth about This, I Will Tell You All about It accumulates voices from African Americans enlisted in the Civil War, and also from their families. ravaged our Below you can find the poem followed by my analysis. But it is as if he hears, A voice in our idling engines, calling himLithe, Swift, Prince of Creation. Meanwhile, Watershed brilliantly intermixes language from that Nathaniel Rich article with testimony by survivors of near-death experiences; was the process of choosing and assembling your found texts similar for this poem? In a recent podcast of her conversation with Curtis Fox of the Poetry Foundation, Tracy K. Smith says that being Poet Laureate is a kind of service (Off the Shelf, July 31, 2018). Poetry allows us to bridge our differences, to remind ourselves that we do have things to say to each other, that we are interested in each others lives and vulnerabilities. In this new collection, Smith explores, mourns and even celebrates those vulnerabilities, both national and individual. How did you fill in that blank as you were writing that? Consider the everyday poetics of capitalism. Educated at Harvard and Columbia, teaching at Princeton, named the US Poet Laureate in 2017, and already freighted with laurels (her previous book, Life on Mars, won the 2012 Pulitzer), Smith is no undiscovered talent. The first trip was to Sante Fe, New Mexico, to the Santa Fe Indian School and some neighboring pueblos, and I realized this is joy. Petitions have been answered only by repeated injury. Home on Earth - Review of Tracy K. Smith's "Wade in The Water" Because having them suggests a sense of unearned privilege? WebThis is Tracy K. Smiths America, a lyric insurrection within Donald J. Trumps. His arms churn the air. He has plundered our Im thinking particularly of your poem Ash, which, compared to some of the other poems in Wade in the Water, feels especially, conspicuously (and beautifully!) Copyright 2008 - 2023 . L.I. I was blown away by how it seemed to capture the mood of our historical moment. Not unlike your previous books, this one feels cohesive even as it encompasses poems whose forms and concerns vary. In a quiet way, I am editing from the moment I begin writing, pushing myself to think more rigorously and vigorously and to live up to the model of discipline and courage that I encourage my students to embrace.WASHINGTON SQUARE: Youve written four poetry collections; when you started writing, you were a student, and now youre a teachernot to mention the nations Poet Laureate. Smith mingles these themes in The World is Your Beautiful Younger Sister, where the body of a woman stands in for the planet itself; Smith plays on old Western conceptions of nature as a female resource to be commanded by men and their technologies. Did that effect the way that you thought about what you were going to do as Poet Laureate? The poem, titled Garden of Eden begins with Smith acknowledging a profound longing for her Garden of Eden, or moreover her personal paradise. Its not quite music, but the construction of these two parallel statements operated in a fashion similar to rhyme for me.WASHINGTON SQUARE: Youve said that writing your memoir Ordinary Light helped you work through your own thinking about race. WebTracy K. Smith begins her poem The Good Life with a subordinate clause: Whenpeople talk (Line 1). An Old Story is born out of the wish to write a new myth. Ive been sharing work by other American poets, and readings of my own poems as well, and just asking a very simple question, which is, what do you notice? The couplet looped in my head for weeks, and when I finally resorted to Google, I learned it was from Smiths first collection, The Bodys Question.I borrowed her books from the library and found them full of lines like the ones that had hooked me. Wade in the Water in particular enlists a whole chorus of voices, including historical ones resurrected almost verbatim in collages and erasures. K Smith. From a handbasket filled She studied at Harvard University, where she joined the Dark Room Collective, a reading series for writers of color, created by Sharan Strange in 1988. To capacity. The first line introduces the readers to both the casual destroyed the lives of our What about you? The way you can break into laughter remembering something while at a funeral, say, and how that can both deepen and lighten your sense of grief. Tracy K. Smith has her head in the stars. That distinction gets complicated once you open the booksbut I wonder if you do see these collections as particularly complementing or speaking to each other? Curtis Fox: That was An Old Story. Onto the darkening dusk. That work is something I can do when I dont have any ideas for poems, and it draws me into conversation with another poetic sensibility. SMITH: That poem was originally published as The Mowers. Then I read it in Washington, DC in 2016 and realized that the poems wish is for something graceful, wordless, grateful and sustaining to link these two imaginary strangers in common understanding. I liked setting up, via the title, the expectation of something rigid or dogmatic, and then allowing the poem itself to be gentle. I think it is the shift in vocabulary that reads loudest in the books, and that is really a private attempt at finding something newly engaging in my usual conundrums.WASHINGTON SQUARE: You direct the undergraduate Creative Writing Program at Princeton University; though youre currently taking time off to focus on Laureate duties, youve taught and advised student poets for years. In Garden of Eden, the first poem in the collection, Smith remembers shopping at a grocery store in Brooklyn that was actually called the Garden of In June 2017, Smith was named U.S. poet laureate. It was no longer important or necessary, and I wanted to just listen to these fragments within this founding document, and feel the sort of startled andI dont know, just a sense of inevitability that those statements kind of gathered around themselves. For When she writes about love and desire, they are vehicles for the philosophical examination of humanity, of the ways we respond to authority, and more and more they are vehicles for thinking about the plight of the earth. At the end of the day, our lives arent quite the way we wish they were and it can be difficult to come to terms with that. So, when I was working on other poems in this book that were wrestling with history, I thought, oh, Ill go back to that Jefferson poem and see if I can make it right. What are you really getting at there? It feels like an empires end: The known sun setting / On the dawning century, as the last two lines go. Whatwhat on earthconstitutes a meaningful life in a market society?Markets shape mindsets. Would you read it for us? I'm glad you were able to find something to connect with! So I had to kind of really think about it, before saying yes. I guess Ive been thinking a lot about mythology. SMITH: Writing Ordinary Light helped me break my own silence about how race has shaped me. One of the closing lines is an eerie warning: its global. The worlds first great carbon empire, the United States, is committing suicide, but at least some people are getting richer.The books center is I Will Tell You the Truth About This, I Will Tell You All About It. This long poem, divided into sections based on different voices, consists of material Smith culled from the letters of black Civil War veterans and their wives, children, siblings, and widows, many of whom wrote to President Lincoln asking for financial assistance, in many cases pay that was owed them. Wade in the Water (Graywolf Press, 2018) was her fourth I thought of to bear witness, as the book itself does, but I also thought to bear unspeakable suffering. Usually only after therapy WebThe assignment consisted of reading this newly published poem and then writing an analysis. WASHINGTON SQUARE: Speaking a few years ago with Gregory Pardlo, you mentioned that music, image, form and departure are the things Im conscious of managing in a poem. Can you say a little more about balancing these qualitiesand, perhaps, how you know when one or two of them want to predominate? Yes, these are black voices that have been effaced from history, buried in government archives and exhumed by a few scholars on whose work Smith draws. Men with interests to protect seduce and extract pleasure from a young person, making her believe / / It was she who gave permission, just as patriarchal industrial capitalism has plundered the youth of mother Earth.Those awful, awful men. That sometimes comes out in revision, as was the case with Ash. The poem was little more than a list of ideas until I was able to sit down and hear a set of rhythmic parameters begin to assert force. A two-time Hambidge fellow, her poems have appeared in such publications as Little Star, Prairie Schooner, december, American Life in Poetry andVerse Daily. WASHINGTON SQUARE: Across all four of your collections, many poems speak through personae. The last lines of the poems final section point this up with staggering intensity: My full name is Dick Lewis Barnett.I am the applicant for pensionon account of having servedunder the name Lewis Smithwhich was the name I wore beforethe days of slavery were overMy correct name is Hiram Kirkland.Some persons call me Harry and others call me Henrybut neither is my correct name. Curtis Fox: I want to get you to read one more poem. SMITH: I wanted to open the book by invoking a sense of the eternal, to start with a nod to that scale. The theme music for this program comes from the Claudia Quintent. She went on to receive her MFA from Columbia University. Bouncing balls, the kind that lifts nothing. The point of capitalism is to get more capital, which allows you to either procure stuff (things or experiences) or just hoard the lucre, deriving a weird pleasure from that. But those things came out in this poem. As Auden supposedly said in conversation, you cant half-read it. I'd lug Even if the question animating the poem is a serious one, that sense of being lost in the pursuit is, inevitably, a happy thingit is about finding something that can constitute a productive path through or out of the matter at hand. Tracy K. Smith: I have, and I didnt know if I would. I will say it flat-out: I do not like poetry. Where I seldom shopped, Throughout her career, she has been awarded numerous literary awards and fellowships. It was so strange. My thirties. My found poems behave differently, but those possibilities were somewhere in my mind as I worked. Sort of the innocence of consumerism before bad things happen. Poet Laureate of the United States; its a high perch for an American poet to land on. Life on Mars is a very sentimental and intimate book of poems about how an author deals a lost in her life. I think its because i'm not very artistic that it doesn't come so easy. rife with music, rhyme, and repetition. It comes down to simple math.The beach belongs to none of us, regardlessof color, or money. We thought the birds were singing louder. You can read some of her poems on our website. Tracy K. Smith: Right. Curtis Fox: Yeah, its one of those poems, when you read it you think God, somebody should have done this years ago. What made you choose to start (and end?) Not just me, not just people who are fresh out of whatever you do in the first years after graduate school into adulthood, thinking that Ill be happy if I can almost afford the things that I want, if I can somehow find a way to buy what life seems to offer to other people. / We never left the room. Curtis Fox: Being Poet Laureate is obviously an honor, but have you enjoyed it? Susanna Langs newest collection of poems,Travel Notes from the River Styx,was released in summer 2017 from Terrapin Books. [1] The term queasy questions comes from John Self, the narrator of Martin Amiss novel Money (1984). WebTracy K. Smith was born in Falmouth, Massachusetts, in 1972, and raised in Fairfield, California. Song allows us to hope for new connections: The interior sections of Smiths collection lift up others voices and names, to which she joins her own. Her latest book is Wade In The Water. You were appointed Poet Laureate in 2017, after Trump was inaugurated. Thanks for listening. Smith received the 2012 Pulitzer Prize in poetry for her third book of poems, Life on Mars (Graywolf Press, 2011). This is so brilliant, this is such a clear idea. There is deep unease in those lines that Ive been puzzling over, and why would somebody be ashamed of innocence and privacy? Curtis Fox: So I wanted to ask you about your time as Poet Laureate, but before we get there, Id like to get straight to a poem. In this book, Im doing that more relentlessly. WebPoems, readings, poetry news and the entire 100-year archive of POETRY magazine. WebSummary Semi-Splendid by Tracy K. Smith explores an argument from two perspectives.Both perspectives come from Smith, yet one is from a nice perspective, in which the poet typically just allows her boyfriend to win the argument, and the other perspective focuses on this moment, in which she stands up for herself and begins to Capitalism, Fisher intones, is what is left when beliefs have collapsed at the level of ritual or symbolic elaboration, and all that is left is the consumer-spectator, trudging through the ruins and the relics.Is there any alternative to the morose conviction that nothing new can ever happen (Fisher again)? Released in summer 2017 from Terrapin books an eerie warning: its global from. 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